chronicle of a summer

Chronicle of a Summer (French original title: Chronique d'un été) is a 1961 French documentary film shot during the summer of 1960 by sociologist Edgar Morin and anthropologist and filmmaker Jean Rouch, with the technical and aesthetic collaboration of Québécois director-cameraman Michel Brault. Chronicle of a Summer is a pivotal film in French cinema, and like others of its kind—The Rules of the Game, Breathless, Beau travail—its greatness lies in its attraction to the unknown. They not only interview individuals, but bring them together for sometimes heated discussions of political and historical issues. Audience Reviews for Chronicle of a Summer -- Paris, 1960 Oct 04, 2007 Paris 1960 - Jean Rouch and Edgar Morin just made one of the most fascinated documentary of all time. A landmark in French film history. The hit and miss actually underlines Chronicle of a Summer‘s explicit search for the essence of France 1960, its levels of existence, the candour or the contrivances of its subjects, and the in/adequacy of the documentary medium as it tries to account for it all. Directed by Edgar Morin, Jean Rouch. New York City private-school teenager and pot… Continue reading Chronicle of a Summer News Chronicle of a Summer is a film that explores the mood of the Parisian “tribe.” Jean Rouch and Edgar Morin traverse the streets and follow selected individuals for several months and portray their lives through the curiosity, “How do you live?” Paris is subjected to revelatory sociological scrutiny, and the limits of the purely documentary chronicle are tested by radical filmmakers all too aware of their camera’s inevitable fictionalization of the summer scenes they are studying. Just great, as much for the parts that don’t work as for those that do. A documentary about the everyday lives of ordinary Parisians, done in the style of cinéma vérité. — “Excursions,” A Tribe Called Quest It’s the summer of 1994. She has been told to improvise, but becomes very emotional while expressing her feelings. Chronicle Of A Summer (a film which embraces, happily, the coinage "cinema-verite," a terminological straitjacket so many subsequent documentarians have struggled to evade) is a series of staged conversations no less valuable for being overtly arranged by Jean Rouch and Edgar Morin; the title could just as well be A Summer Experiment. In Chronicle of a Summer, Rouch and Morin enter people’s lives quite intimately, with extreme close-ups and personal questions, as in the case of the interview with Mary-Lou. They decide to try, and Marceline heads out to interview various Parisians, with responses that range from rude brush-offs to earnest confessions. Chronicle of a Summer finds Rouch and Morin exploring the sidewalks, workplaces and homes of Paris and Saint-Tropez throughout the summer of 1960, searching for an assessment of the happiness (or unhappiness) of the French working class. Opening with a discussion between Rouch, Morin, and one of their key subjects, a Holocaust survivor named Marceline, Chronicle Of A Summer wastes no time in speculating about whether or not its goal is attainable.Can truth be filmed? By using new technology to frame developing events, Rouch and Morin capture two profound transformations. Chronicle of a Summer is a testimony to the effect of new technology in filming on the recording ofpsychological, political and sociological life in 1960 in Paris by 2 men, ethnographer/filmmaker Jean Rouch and sociologist, cinephile and left wing activist Edgar Morin.France is undergoing immense changes from post war promise to post colonial reality.Documentary films had … Chronicle of a Summer. With Angelo, Nadine Ballot, Catherine, Céline.

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